In many historical romances, there's a point at which characters write. We all know the drill: ink, paper, quill, sand. The process of writing usually isn't as significant as what's written. But what if it were? Based on my experience using a metal calligraphy pen (since I'm left-handed, it went about this well ), I wrote the following passage in my first Matchmaker romance, IT TAKES TWO TO TANGLE . In this scene, the hero, Henry, is attempting to write left-handed after an injury to his right arm. He sat at the desk, and with his left hand, he wrenched open the inkwell. Ink spattered onto the painted wood of the desk and speckled his hand. “Damn it,” he muttered. This blunder slightly damped the pleasure of answering Caro’s letter. Ink was the devil to clean up. He dipped a quill that felt shaped wrongly against the curve of his hand. His unpracticed fingers shivered once the pen took on its load of ink, and black blobbed onto the page. No matter. He was ju...
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